Marxist Media Criticism
Marxist media criticism is the analyzation of any type of media
through reflecting the work against social structures and unpacking how they
are presented within that certain piece of media. Like Marxist literary criticism,
Marxist media criticism strives to decode and decipher the work more acutely
and with more conviction toward meaning, however, they differ in that media
criticism approaches any type of media artifact. Marxist criticism attempts to
find a parallel reflections of social structures within works of art or
commercialism that in turn effects the individual consuming said media’s ideology.
It is human nature to feel a desire to belong or become a part of a larger
group. This is why it is natural for an individual to associate themselves with
larger like-minded social structures (republican versus democratic beliefs for
instance). These larger social structures then inherently have a voice within
the individual’s mind, whatever agenda is of importance to the larger mass
becomes an issue to the individual, and begins to allow us to analyze his
behavior and influences accordingly.
One example of how Marxism is used in today’s media to take a look at
how power structures are depicted within a modern rendition of a classic folk
tale: A Muppet’s Christmas Carol. In the show, Scrooge, who represents the
wealthy class, is portrayed by the only human actor on cast. Scrooge is
juxtaposed against the other Muppets in the town, representing the working
class, who are all Muppets dolls and emphasize scrooge’s age and perceived
orneriness. Scrooge is portrayed as being cold, blinded by money, and without
love in his live; the muppets, however, live robust, colorful lives in seemingly
utter bliss of their economic situation. The show depicts the working class as
being more good natured and trust worthy, making it the more appealing side to
the viewer.
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