Showing posts with label Diego Barcelo. Show all posts
Showing posts with label Diego Barcelo. Show all posts
Monday, October 26, 2015
Blog Post 2
Sherlock
has become one of my all-time favorite shows. The very first scene involves
john Watson, a soldier who appears to have serious PTSD. His therapist recommends
that he begins to write a blog to help him transition into civilian lifestyle
but Watson seems reluctant, he claims that “nothing ever happens to him”. Soon after
we are introduced to the drama of the show, multiple deaths that appear to be suicides
have become to appear. The police, including the character Lestrad, who has a
connection to Sherlock Homes, so far has found no leads to the murders. Finally,
we are introduced to Mr. Holmes himself. An eccentric man whose first
introduction as a character is him beating up a corpse with a whip. While to
most people Sherlock comes off as rude, he really means well he just happens to
be a high functioning sociopath. Most trivial social formalities escape him due
to his curiosity and high deducting skills. Sherlock’s methods are a lesson in semiotics,
by findings signifiers in people’s behaviors, simple details as well as items
that belong to that person help him deduce what kind of person they are. The problem
with Sherlock is that he must find ways to occupy himself, otherwise he has the
kind of personality to do drugs to occupy his mind. Watson, after being in the
military has also developed an addictive personality. It turns out Watson does
not have PTSD but instead likes to be in the action, just like Sherlock he has
to find a way to occupy his bored mind. Their personality types complement each
other in ways that help them be constructive members of society instead of
being ostracized.
Blog #3
Ever since I started taking this class, watching shows
has become a lot more fun. Looking for the hidden details in a show is like a
mystery. Findings the connections between characters and their motivations to
do the things they do is what makes a show good. Ideas in a story become
clearer to me the more times I watch an episode. The show Sherlock has become one of my favorite shows to analyze. Simple things
like a comment a character makes or just a simple facial gesture can actually
be a signifier to something deeper. The writing structure in each episode
becomes more fluid and almost predictable. At times, knowing what kind of
person each character is helped me to predict what they would do next. While sometimes
I am wrong, there have been plenty of time where semiotics has proven to help
me predict character development.
Besides helping me to better understand writing structure
in shows, I’ve also learned to look at media through Marxist lenses. By doing
so I feel as if it is easier to pick out which advertisements are meant for
different social classes. A commercial for something like an apple watch, or a Ferrari
is meant for the hierarchical elite. While a McDonalds commercial is meant for
somebody in middle or lower class. What is interesting about these two commercials
is that they are both run on the same channel. If you look at it from a Marxist
perspective, you realize that this is a form of false consciousness. Commercials
meant for two completely different types of people played on the same channel
so that they appear to appeal to everyone instead of the intended audience.
Marxism
The Marxist lens of analysis is used to understand the dynamics of power
in a media artifact. Marxism is a very interesting topic, it makes you question your reality
and the society that you live in but in a good way. Marxism has three main
concepts that make up the whole theory: ideology, hegemony and false
consciousness. An ideology is simply the shared ideas and beliefs of a society.
Hegemony is part ideology and also part culture, each culture has a different
ideologies which lead to hegemony. The final concept, false consciousness is an
idea that the higher elite brainwash the masses into believing whatever they
want and convince them to be complacent of what they are given. Just knowing about Marxism can help you
analyze your society and find hidden meanings in media. Much like an episode of
a TV show most people think has no intellectual value. From a Marxist point of
view however, just one episode can teach you a lot about class conflict, and
the downsides to working too much and how it can lead to things like
alienation. An easy way to analyze a show is to start with finding the
different hierarchical levels of each character. If you look at a show like how to get away with murder we can see s
classic hierarchical structure with all the main characters. There is the
elitist, professor Keating, who is in the highest standing amongst the main
characters. From there, we have Bonnie and Frank, who work for Annalise, and
have power over the students who work below them. Finally there are the
students Wes, Michaela, Asher and Laurel who are at the lowest level and have
to work the hardest to make the elite look good. As Marxism explains, the
lowest class always works hard to make the higher up look good.
Psychoanalytic Theory
To understand what psychoanalytic
theory is, we must first introduce the man who came up with the theory. His name
was Sigmund Freud, an Austrian neurologist who is known as the father of
psychoanalysis. Freud theorized that behavior is the result of the interactions
among three component parts of the mind. The three components are: the id, ego
and superego. These three components of the mind work on a structural basis and
are all working on a mostly unconscious level. According the theory,
personality develops during childhood and is shaped through a series of psychosexual
stages oral, anal, phallic, and genital. Each
psychosexual stage conflicts with the id, which is a person’s biological urges
and superego, which determine their social and moral conscious. A good example
of this theory can come from the show
Wilfred, a show about a very depressed man who has an imaginary friend that
looks like a man in a dog costume. While everyone else in the show sees Wilfred
as a regular dog, the main character, Ryan sees Wilfred as a man dressed up as
a dog that tries to help him become a happier person. Wilfred is Ryan’s id, he
does what he wants when he wants without thinking and hardly ever considers of
the reproductions. Ryan represents both the ego and superego, he holds himself
to a certain moral standard and usually argues with Wilfred on what they should
be doing together. When Wilfred wants to do something dangerous like steal a
marijuana plant from Ryan’s neighbor, Ryan stops to consider what could happen
and tries to argue that stealing is wrong. In the end Ryan is the one that
stole the plants. Since Wilfred is just a figment of his imagination, in
reality Ryan is having an internal conflict between all three of his components
that make him who he is. Just like psychoanalytic theory explains, these
conflicts are what determine what kind of person you become.
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